Documentary Film — Stories Worth Telling

Thunholm produces documentary films for a range of purposes. Sometimes a story finds me first — I hear about someone or something that sparks my curiosity and I reach out directly. Other times, organizations or companies come to me with a request for documentary storytelling that has a commercial angle. Either way the starting point is always the same: a story worth telling.

Engage all the senses

Making a documentary is one of the most creatively demanding formats in filmmaking — and one of my favorites. Every sense matters. Being present, attentive, and alert during the shoot is everything, because the best moments rarely announce themselves. The job is to witness what unfolds and then shape it into something that communicates truthfully and compellingly.

Throughout the process, the questions keep coming. What do we want to communicate? Does the footage align with the original vision? Do we need to change direction? That constant creative tension is what makes documentary work so engaging.

A Creative Challenge

I love the journey just as much as the final result. Before a shoot, I typically develop initial outlines, moodboards, and key messages, along with some research on locations and subjects. Good preparation creates the conditions for spontaneity — the unexpected moments that make a documentary feel alive.

When producing a documentary I handle most parts myself, but bringing someone along has been an eye-opener. A small, calm team on set makes the process more enjoyable and often produces better results. Technically, I work with a combination of wireless lavalier microphones and a shotgun mic, adapting to whatever the situation calls for.

My goal is to realize ideas and visions — both my own and in collaboration with others. Check out examples of my documentary work in my portfolio.

  • Brainstorming

    What do we want to explore and delve deeper into? Is there a story worth telling? Why create this documentary?

  • Research

    Who, where, how, and when? How do we approach making the film as good as possible given the circumstances?

  • Management

    Everything related to the production—meetings, schedules, post-production, etc.

Reference: CRAFT&TOOLS

Reference: Guardians of Montenegro